Tag: London

  • London – Tower Hamlets (Borough of) – Bethnal Green Tube Disaster Memorial

    London – Tower Hamlets (Borough of) – Bethnal Green Tube Disaster Memorial

    This monument, also known as the Stairway to Heaven Memorial, commemorates those who lost their lives in the Bethnal Green Tube disaster of 1943. It’s a striking monument for what was the worst civilian disaster during the Second World War.

    During the late 1930s, the Central Line was being expanded from Liverpool Street over to locations in Essex. The construction work had nearly been completed when the Second World War commenced, but there was no track laid and the site was taken over to be used as war shelters.

    On the evening of the 3 March 1943, there was an air raid warning and many locals proceeded to the station site to find safety. Near to the bottom of the steps down a mother and daughter slipped, which led to people behind falling and then crushing those below. A total of 173 people were killed during the incident, including 62 children, with their names placed on the above panels.

    Clicking on the above photo should make this readable and it’s an account of what happened on that fateful evening. The press weren’t permitted to write about the incident, although the occasional sly mention got through, as there were fears that it might induce a national panic as well as being damaging to the morale of the nation. A report into the incident was commissioned, but wasn’t published by the Government until 1946.

    I think this looks quite sleek and elegant, with the main part of the memorial at the rear being an inverted flight of stairs. The memorial was designed by Harry Paticas, who was also one of the key visionaries behind the entire project. He had noted just a small plaque inside the station marking the event and he wanted something more visible, so that the story wasn’t entirely forgotten.

    These are quotes from survivors and although they’re a little hard to read (both at the memorial and on-line) they add some poignancy to the memorial. A comprehensive web-site was also created alongside the memorial, available at http://stairwaytoheavenmemorial.org/.

    There’s more about the incident on this video, from BBC’s The One Show.

  • London – National Portrait Gallery (Taylor Wessing Photography Prize)

    London – National Portrait Gallery (Taylor Wessing Photography Prize)

    The National Portrait Gallery (NPG) was always going to be closed this year as it is undergoing a restoration project and their timing is perhaps fortunate. But, one thing they share with other galleries is the opportunity to place artworks on-line so that interested people stuck at home can still engage with their collections.

    In this case, the NPG has created a virtual exhibition at https://www.npg.org.uk/whatson/taylor-wessing-photographic-portrait-prize-2020/virtual-exhibition where anyone can view all of the photographs and then vote for their favourite as part of their “Peoples’ Pick”. There’s information about each artwork and you can sort of stroll through the gallery, albeit with quite a lot of imagination.

    This was my favourite and the one I voted for. The gallery notes say:

    “This image was taken by Francis as part of his ‘lockdown journal’, something that was so familiar becomes distant.”

    I don’t want to show the image in full as I’m sure it’s under copyright restrictions, but there’s something about the colourful dress of the lady in the photo combined with her blue facemask that make this very much a photo of 2020, but yet still familiar.

    The winning artist will be revealed on Monday 16 March 2021.

  • London – Greenwich (Borough of) – National Maritime Museum (Figureheads)

    London – Greenwich (Borough of) – National Maritime Museum (Figureheads)

    There are many highlights in the National Maritime Museum, but these figureheads are some of my favourites in the collection. The largest collection of merchant navy ship figureheads in the world is located nearby in the Cutty Sark museum, but the ones here are Royal Navy figureheads.

    Royal Museums Greenwich operate one of the more restrictive copyright policies that I’ve seen from a museum, limiting re-use of their collection imagery. It’s possible to embed the images, but they’re relying on a Flash set-up and that’s being retired. It’s a slight shame as I would have used some of their imagery of figureheads that they don’t have on display in the museum. They’ve made quite an effort with the figureheads though, there’s a separate web-site at http://figureheads.ukmcs.org.uk/ which has 300 of them listed.

    The museum explains that back in the eighteenth century, the Royal Navy would usually have full-length figures, but cost cutting at the Navy Board saw an end to that. Some of the figureheads in existence at that point got cut back, with just the heads usually used after that.

    In the above photo, there are a few obvious figureheads which stand out. The large one on the right in the middle is from HMS Himalaya, which was built for the Peninsular and Oriental Steam Navigation Company (P&O) in 1853 and was known as SS Himalaya. After a few months, P&O realised that their ship, which was the largest ever constructed, was too big and there wasn’t enough passenger traffic to justify it. This wasn’t ideal for them, as they had just spent £130,000 on building it. However, they managed to convince the Government to buy their ship for £133,000 and it was transformed into a troopship which could carry up to 3,000 soldiers. The ship was decommissioned in 1894 and was then used as a ship to transport coal until it was sunk by the German Luftwaffe at Portland Harbour in 1940. The figurehead had been removed when it ceased to be a troopship, being stored at Devonport until 1936, when it was presented to the Admiralty.

    At the bottom left of the above photo is the figurehead from HMS Harlequin, a brig-sloop which launched in 1836. The ship was later used to transport coal and was decommissioned by the Royal Navy in 1899 and was broken up and sold for scrap in 1904. The figurehead was kept and was located on the first floor of Rigging House in the Devonport Dockyard, being donated to the Admiralty in 1936.

    Above the HMS Harlequin figurehead is the one from HMS Tribune, in the style of a Roman tribune. The ship was a wooden screw corvette which was launched in 1854, but it didn’t last long as it was sent for breaking up in 1866. I’m not entirely sure that taxpayer’s money was used entirely wisely there. The figurehead ended up in the same place as the HMS Harlequin and was also gifted to the Admiralty in 1936.

    The last British battleship to have a figurehead was HMS Rodney, which was launched in 1884 and remained in use until it was broken up in 1909. After that, with the exception of on some smaller Royal Navy ships which still used figureheads, the tradition changed to have a ship’s badge instead. This doesn’t seem quite as exciting to me, there’s something quite appealing about knowing how many sailors from the Royal Navy would have seen the figureheads on these ships and likely been quite attached to them.

    My only other comment, for what it’s worth (which isn’t much) is that the figureheads are all a bit pristine. They’ve nearly all been repainted, although not necessarily recently, so they don’t have that feel of having been on the front of the ship. The museum does have plenty of figureheads which no longer have much paint left, and I prefer these as they feel more authentic, but they’re mostly not on display.

  • London – Kensington and Chelsea (Borough of) – Norland Square Railings

    London – Kensington and Chelsea (Borough of) – Norland Square Railings

    There are many things that annoy me. These include people being loud in libraries, Greggs running out of sausage rolls and people putting their feet on the seats of trains. There are other things as well of course (crime and corruption aren’t great either), but I’ll limit myself here. Historically there’s one particular decision which is annoying and it has wrecked many parks, gardens, buildings and churchyards across the country, which was when iron was collected for the war effort.

    It’s not the collection of the iron that’s the problem here, it’s that historians seem to agree that only around 25% of it was used. And the Government never stopped collecting it, despite it being clear that they didn’t need any more. Paperwork has been “lost” by Government departments and it’s widely thought much of the iron was just dumped after the end of the Second World War. Perhaps it was good for morale and making people feel involved, but it simply caused more anger later on when the truth started to out.

    Now that I don’t live in London, I’m no longer a member of the London Library at St. James’s Square, but I’m pleased to note that £500,000 has been spent restoring the railings there. There’s further information at https://www.stjamessquaretrust.co.uk/railings-project and it’s a worthwhile project. But, at least some railings had already been put back here, in so many other locations across the country all that remains eighty years on are the stumps of the railings. Churches suffered terribly from this, as well as many residential property owners. Although, as with many things, other wealthy property owners found reasons for their iron not to be taken in the first place, whilst those of more limited means were busy tearing up their front gates.

    Lord Hemingford in 1943 queried this whole arrangement, although he wasn’t give much succour when he said in the Lords:

    “To go a little lower down the social scale, I saw only the other day a row of very small cottages, I suppose cottages with not more than four rooms at the outside, with their small gardens in front of them, many of them tended with very great care, where the railings—which can have been of very little use to the Government, for they were not much more than wire made into an upright fence—have been taken away from the front of the gardens. I cannot but imagine that those railings were useless for the purpose for which they were taken, and must have been among those which have since been sold by the Ministry of Supply.”

    And, the reason I mention all of this is that the photo at the top is of Norland Square Gardens, with their lovely iron railings. These date to 2007, when Susan Walkers Architects (who are engaged with the St. James’s Square project) and the Cast Iron Co. Ltd produced these new railings for the gardens, funded by the Norland Square Garden Committee. They’re not overly decorative, but they define the area much better than some generic chain-link fence or indeed nothing at all.

    There seems to have been a little bit of a wave of these transformations over recent years, but mostly they seem limited to wealthy areas of London or to property owners with some money. Perhaps it’s time to fund the restoration of iron railings back to churches, parks and many other locations where they were taken from, an apology from the Government that this scheme to collect iron wasn’t stopped when it was realised that it wasn’t productive.

    There’s a video of the patrotic need for this at https://www.britishpathe.com/video/park-railings-for-munitions.

  • Greater Anglia : London Liverpool Street to Norwich

    Greater Anglia : London Liverpool Street to Norwich

    The Prime Minister hadn’t quite made his latest announcement (or u-turn if you prefer) by the time that I was about to board the 13:30 Greater Anglia train back to Norwich from London Liverpool Street. But, when that statement was made, it was effectively saying that London was now entering Tier 4 and that from midnight the residents of the city shouldn’t leave the area. Things appear to have gotten worse with a new virulent strain of the virus, which is not ideal at all.

    There were reports in some elements of the media that there were huge flurries of Londoners rushing out to the countryside, although that appears to have been dismissed by the rail companies who said few trains were actually full. Either way, the train that I was on didn’t seem particularly busy, so I had a block of four seats around a table to myself for the journey. And, for those who note my annoyance on this matter when Stansted Express trains are pushed into service, this train did actually have tables. I bought my ticket over a week ago, another bargain priced £10 advance single fare.

    The most interesting part of the journey for me was annoyance at myself for either being asleep or not paying attention, I can’t remember which (and couldn’t at the time, so I was probably asleep) whilst pulling into what I think was Manningtree station. The driver made a furious announcement, although made professionally, that he had been forced to sound the train’s horn as he nearly hit a passenger’s bag which was being carried so near to the platform as to have actually been mostly off of it. The driver said several times, in excess of four, that the person responsible was a male, in carriage D and with a duffel bag. I was positively disappointed not to be in the carriage as otherwise I could have looked and tutted, to show my British displeasure, at this act of idiocy. I say idiocy, as that’s what the driver called it, along with other words.

    Anyway, I quite liked that the driver made his coffee order over the announcement system and that the refreshment team made one back, apologising for not having the biscuit he wanted. It was sufficiently light hearted to add some humanity back to the journey and I think it calmed the annoyed driver down.

    And here we are back in Norwich, on time and that really is the end of my travel for 2020. I didn’t think in early November that I’d be travelling again in 2020, but this twelve-night stay in London was worthwhile and interesting. What I’m more disappointed about now is that travel in early 2021 is looking effectively impossible. I’m likely to cancel my trip to Bilbao, whereas British Airways have already cancelled my trips to Lisbon and Dublin. I can’t imagine that I’ll be going to Inverness or Palma either, which are both in January, although haven’t yet been cancelled by British Airways.

  • London – Newham (Borough of) – Travelodge ExCeL

    London – Newham (Borough of) – Travelodge ExCeL

    This isn’t a good time for hotels in London, and I can’t imagine many times where Travelodge have been selling off rooms in the capital at under £20 just a couple of nights before the stay. So, this looked like a rather good price and the hotel is conveniently located next to a DLR station, and also next to where I stayed last week at the Holiday Inn Express.

    My expectations were frankly a little low, a room of £20 and some not great recent reviews didn’t fill me with confidence. In reality, it was all absolutely fine. There was no noise internally or externally, the room was clean and the staff member at reception was friendly and helpful. It was also useful that the staff member asked if I wanted a floor on a lower floor or at the top, so I went with my standard “top floor, away from lift” option. The room wasn’t enormous, but it was perfectly sufficient and there was free tea and coffee. Definitely hard to complain at under £20 per night.

    To my slight surprise, this was a slightly better built hotel than the Holiday Inn Express that’s next door. That hotel has been built with no individual air conditioning units and no facility to open windows. The Travelodge had gone for the approach of a window that opens to cool things and a heater to heat. I like such simple solutions, although it might be too hot in the summer (one reviewer said it was and they gave up with their room to sleep in the hotel’s bar). But I’m sure they offer fans then. The room could have done with some plug sockets near to the bed, but perhaps they’ll be put in when the hotel is refurbed.

    As an aside, one thing that annoys me slightly is the hotel’s response to reviews, which is pretty much always the same. There are all manner of reviews, from staff members bursting into a room when a customer was changing to a few allegations of theft and bed bugs, all with the exact same response from the hotel as they replied to someone who mentioned they found a hair on the floor. I like reviews from managers who just tell the truth, they’re more entertaining.

    Anyway, all rather good value for under £20.

  • London – City of London – London Mithraeum

    London – City of London – London Mithraeum

    A few years ago I went to the Cavern Club in Liverpool and was moderately disappointed to discover that it’s not quite in the same place as the original. In 1973, British Rail decided that they must definitely have the site of the Cavern Club (although they were prepared to build elsewhere if they were given some extra money to pay for their costs) and so they compulsorily purchased it, filled it in, then decided they didn’t want it. An attempt was later made to excavate the site which wasn’t entirely successful, so the current Cavern Club is sort of where the old one was with some of the same bricks.

    And, I mention this tangential story because this is what has happened to the London Mithraeum. Not British Rail this time, but Legal & General and the construction of their far from beautiful Bucklersbury House. It would have been possible to redesign the building and keep the Roman finds, but the Government announced it would cost £500,000 and they weren’t spending that. However, it shouldn’t be under-estimated just how interested Londoners were, it attracted unprecedented interest for historic remains and the site was being opened three hours earlier than anticipated in its last week, such were the number of people who wanted to see it. These were challenging times for London in the mid-1950s where much was still being rebuilt following the war, so there was a great deal of positivity when this Roman structure was being uncovered.

    The end result was that they shoved out the Roman remains into the street and called it a compromise. Perhaps less a compromise and more of a sell-out. There was talk of just destroying the site entirely, so the option chosen did at least save the stones. Anyway, Bucklersbury House has now gone and been replaced by a lovely new building designed by Fosters & Partners. And it’s in the cellar of that new building that this temple now resides once again.

    The hole that was dug for the Legal & General building. There’s a lot of history, including some interesting video of people there in the 1950s, at the official web-site at https://www.londonmithraeum.com/about/. Given the quantity of information there, I’ll just borrow a little of their text to ensure my history is correct.

    “The site lies over the course of one of London’s lost rivers, the Walbrook. Nearly 2,000 years ago when Londinium was founded by the Romans, this river marked the limits of their first settlement. In the 3rd century AD, nearly 200 years after the founding of London, a Roman Londoner, built a temple to the god Mithras on this reclaimed ground, next to the river.

    The mysterious cult of Mithras first appeared in Rome in the 1st century AD. It spread across the Empire over the next 300 years, predominantly attracting merchants, soldiers and imperial administrators. Meeting in temples which were often constructed below ground, these were private, dark and windowless spaces. The mythological scene of Mithras killing a bull within a cave, the ‘tauroctony’ is at the heart of the cult, and its full meaning is subject of much speculation.”

    But, going back in this story a little bit, there’s a ground floor entrance to the new Bloomberg Building which gives access to a museum and public space. The first surprise was seeing my friend Steve, who had coincidentally booked the exact same time to visit the same location. And there was one other person (who we didn’t know) booked for this time, as although the tickets are free, they need to be pre-booked at the moment. And we chose the right day to book our tickets to visit, as changing tier restrictions meant that this was to be its final day of opening for the moment.

    This is the first part of the experience. I’m not sure they call it an experience, but it’s a word that perhaps adds an extra dimension to a visit, so I’m using it. The staff member who welcomed us gave a spirited explanation of it. The other person vaguely looked at it and walked off, whereas Steve and I decided we would make an effort to look at it and pretend to understand it. I’m not sure that we did, and I did think this would be a handy spot for a cafe. I’m not sure that’s what the artist had intended me to think, but there we go.

    Some of the finds are now on display, although 14,000 items were found, so I’m not entirely sure where the rest are. Going downstairs, and before getting slightly lost, we found the second part of the museum, where there are some screens giving more of the site’s history.

    And, this is the centrepiece of the attraction located down another flight of stairs. I understand there’s usually some form of audio-visual experience for visitors before entering here, but for reasons unknown, the current health situation makes that impossible.

    And another photo of the Roman remains with visitors being able to walk around the outside. I couldn’t help be distracted by the neatness of the stones, it all felt too polished and modern. And the reasons for this are clear, namely that when they moved it to an outside location and slightly crudely rebuilt it, much of the original was lost in terms of the mortar and indeed its authenticity. Eric Morecambe’s line is often quoted, but there’s an element of truth to say that “there are all the right stones, but not necessarily in the right order”.

    There’s an article in the Sphere on 23 October 1954 with a photo of a wall being built, subtitled “workmen are rebuilding the lower walls with the stones made by Roman masons”. I’m not convinced that there was complete archaeological rigour going on with the rebuilding, although this seems to have been glossed over a little in the telling of the temple’s story.

    But, I have no complaint with the efforts made by Bloomberg, they’ve restored some dignity to this site after some rather casual and off-hand treatment of it over the last few decades. The web-site they’ve created is informative and useful, with the reviews of the museum nearly all veering towards the very positive. And there’s been some magic put back to these stones, in whatever order they’ve been relaid. A visit isn’t likely to take much more than thirty minutes, but I’m glad that I got to see this site at Walbrook.

  • London – Kensington and Chelsea (Borough of) – Ibis Styles Kensington (Eighth Visit)

    London – Kensington and Chelsea (Borough of) – Ibis Styles Kensington (Eighth Visit)

    This blog wouldn’t be complete without yet another post about this hotel in Kensington…. I still like the hotel, the welcome is friendly, the hotel is clean and the prices are highly competitive. Not only have I managed to post here multiple times about this hotel, I’ve also bored friends with it as well and one of them also happened to be staying here for the weekend.

    I was upgraded to a larger room and I think this is one of my favourites in the hotel. Spacious and with numerous seating options dotted around the place.

    There was a bath, as well as a separate shower (that isn’t in the photo), all very decadent.

    There is a balcony as well, but they’re locked that off.

    This was the view on Sunday morning. Rain. Not ideal…..

    There was no Tiger left, so this was my welcome drink choice. It was free, so I won’t complain.

    My obligatory breakfast bag photo…. I did go down in the basement to get a coffee, although it seemed to be measuring out rather small portions, albeit delicious tasting small portions.

    So, once again, all was fine and nothing exceptional happened that I feel the need to mention. And, this is good in a hotel, I don’t want too much drama. Incidentally, I hear that Richard had lots of drama in his two hotel visits this weekend elsewhere in the country, it’s a shame he doesn’t have a blog….

  • London – Westminster (Borough of) – National Gallery (Christ and the Woman taken in Adultery)

    London – Westminster (Borough of) – National Gallery (Christ and the Woman taken in Adultery)

    This cheery little number doesn’t belong to the National Gallery where it is currently located, it’s usually in the collections of the Courtauld Gallery which has been closed for a couple of years due to renovations to the building. They probably chose quite a good time to get the work done, assuming that they’ve been able to progress with it at all this year.

    Anyway, it’s by Pieter Bruegel the Elder and it was painted in 1565. The grey nature of the artwork is deliberate, it’s in the Grisaille style and this is one of the best known paintings which have used this style of having multiple grey colours. The painting shows a number of Jewish sect members who have brought a woman accused of adultery to Christ so that he could condemn her to death by stoning. Instead, he asked if anyone amongst them was without sin, then they could be the first to throw a stone at her.

    It’s the only painting which the artist passed down to his son, Jan Brueghel the Elder. The painting was then passed down to his son, Jan Brueghel the Younger who loved it so much that he flogged it off. It was sold at Christie’s in 1834 and then again in 1952, but was donated to the Courtauld Gallery in 1978. Someone then pinched it in 1982 and that wasn’t entirely ideal, particularly since it wasn’t recovered until 1992.

  • London – Westminster (Borough of) – National Gallery (Visit 2)

    London – Westminster (Borough of) – National Gallery (Visit 2)

    This is my second visit to the National Gallery under the current restrictions, as there was just too much to see during my first visit. It’s free to get in, although tickets have to be pre-booked and they do enforce that, although someone did try and just sneak in when I was there. As can be seen in the photos below, this wasn’t the busiest of locations, although it got a bit busier during the early afternoon when I was leaving.

    As an aside, this is now rated on TripAdvisor as the top thing to do in London, number 1 out of 2,339 places, which is a pretty impressive effort. Although I noticed a few times on this visit and my last one that the staff struggled to answer questions that other people were asking, and although the staff were polite, I did wonder whether some of them were interested in art at all. I’m not quite sure if art knowledge is part of their required job role and how much of their role is ensuring the security and the safety of the gallery, perhaps that’s their only function. I had no such issues, I have the Internet to answer my questions…..

    Anyway, all rather lovely, more posts to come on this.