Tag: Liverpool Weekend

  • Liverpool Weekend (Day Two) – Tate Liverpool (Broadway by Ellsworth Kelly)

    Liverpool Weekend (Day Two) – Tate Liverpool (Broadway by Ellsworth Kelly)

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    Whilst accepting that it’s easy to sneer and be negative, I really struggle to see what this artwork by Ellsworth Kelly (1923-2015) offers and how it’s relevant in the Tate Liverpool. In reality, obviously I’m completely wrong insomuch that Kelly sold hundreds of artworks and was an important figure in the artistic world, well, if Wikipedia can be trusted on this. I can find the painting mentioned only once in the media, when in 1970 the Surrey Advertiser (a bastion of art journalism) commented that “it’s a work on which opinions still vary”.

    The gallery description reads:

    “This painting, one of a series that developed from a small black and white study, is called after the famous avenue in New York. Here the red form can also be read as a ‘broad way’ receding into the distance, Kelly having cropped the edges of the rectangle to imply perspective. At the same time it appears absolutely flat. Asserting the real, flat nature of painting has been one of Kelly’s central concerns. He achieves this here without sacrificing effects of space. The picture plane suggests at once flatness and three dimensions. Other works in the series are titled Wall after New York’s Wall Street and ‘North River,’ another name for New York’s Hudson River.”

    The artist wrote about the work:

    “My original intention was to paint a larger black and white “Wall”, but it came out red”.

    So this painting of near solid red wasn’t even meant to be red. This is all beyond me and I’ve now spent ten minutes writing about it all, so perhaps I’m more interested in the artwork that I had realised. Indeed, maybe I’ll be inspired to create my own red artwork.

  • Liverpool Weekend (Day Two) – Tate Liverpool (Allegro Strepitoso by Carel Weight)

    Liverpool Weekend (Day Two) – Tate Liverpool (Allegro Strepitoso by Carel Weight)

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    Welcome to the art review section of this blog written by someone who knows just about nothing about art…… This painting is on plywood and was painted by Carel Weight (1908-1997) in 1932. The gallery notes that ‘allegro’ means merry and ‘strepitoso’ means noisily. I struggled to find a great deal of interesting work in the gallery, but that’s I suspect because I’m not sophisticated enough to understand the bulk of modern art and it goes over my head. This means that this is one of the artworks that I actually liked at the Tate and I mention all this as in later life Weight (once known as the Poet of Putney) said:

    “For me the acid test of a painting is: will the ordinary chap get anything out of this.”

    That sounds to me a rather sensible measure of artwork, so I’m going along with that. If I get time, I find it interesting to read old newspapers to see what people at the time thought about an artwork that I’ve now seen in person. There’s an element that it’s sometimes just slightly odd to think of someone nearly 100 years ago looking at this very painting in a different environment. A review in the Nottingham Journal of this painting said that the artist was “a young man with a keen sense of humour”.

    The Tate’s web-site isn’t that detailed in explaining the heritage of the artwork, simply saying that it was purchased in 1990. It had been purchased by the Friends of the Atkinson Art Gallery in 1970 from the John Moores Exhibition, although I’m not sure what happened to it after that.

  • Liverpool Weekend (Day Two) – Museum of Liverpool

    Liverpool Weekend (Day Two) – Museum of Liverpool

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    No doubt to the delight of my two loyal readers, I’ve just posted separately about several exhibits at the Museum of Liverpool, but I’d better stop here as I’ll never finish writing up the weekend away. We spent just under two hours at the museum and there’s plenty to see across the numerous floors, as well as there being a variety of stuff that I haven’t seen on my previous visits.

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    There’s plenty of text and exhibits relating to the Liverpool Overhead Railway which operated between 1893 and 1956. This would have been a remarkable tourist attraction today, but it was decided to demolish the structure in 1957 despite considerable local opposition. The excuse for closure was that it was costing too much and it would be better to operate services using buses, which must have felt like a sub-optimal option for the regular users. There was a sad incident when in November 1957 one of these new buses collided with a lorry under where the overhead railway had operated, killing one person and injuring another seven. During the operation of the overhead railway, there were no major incidents.

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    There are some fine views across the docks from both directions, although there’s no external viewing platform which seems a little bit of a shame. The building that the museum is located in is an impressive structure, dominating this part of the former docks area.

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    The view from the other direction of the Liver Building. The museum opened in 2011 and replaced the much smaller Museum of Liverpool Life.

    There’s plenty more that I could write about this museum and given that it’s free of admission charge it’s certainly worth popping in. For our group, it was time to go and visit Tate Liverpool to be surprised and delighted at their collections of modern art.

  • Liverpool Weekend (Day Two) – Museum of Liverpool – Ken Dodd Costume

    Liverpool Weekend (Day Two) – Museum of Liverpool – Ken Dodd Costume

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    The Museum of Liverpool rather likes exhibitions on Sir Ken Dodd (1927-2018) and they’ve currently got one on (although we didn’t have time to visit that one) remembering the local comedian from Knotty Ash. This rather colourful harlequin suit was worn by Dodd during the 1970s, including on the Ken Dodd Laughter Show in 1979. Fittingly, his last performance was in Liverpool, at the Echo Arena Auditorium (now the M&S Bank Arena in what feels a rather odd piece of branding, but there we go) on 28 December 2017. He certainly brought the Knotty Ash area of Liverpool into the public awareness over several decades.

    As a separate thought, I think my friend Gordon would feel comfortable in such an outfit, he’s very flamboyant. Perhaps he’ll do a special fashion show for this blog, but hopefully it won’t be like the Inbetweeners one.

  • Liverpool Weekend (Day Two) – Museum of Liverpool – Amiga

    Liverpool Weekend (Day Two) – Museum of Liverpool – Amiga

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    There’s something moderately alarming about seeing objects from my childhood which are now in museums, as I refuse to accept any evidence that I might be getting older. But, with my very happy memories of the Amiga, it’s always positive to see one. The relevance here is that Striker was made by Rage Games, who were a video game developer from Liverpool who were in operation between 1992 and 2003. Apparently one of the things that brought them down was the David Beckham franchise of games, evidence that they should have focused on a Neville Southall franchise instead which would have been far better.

    On a tangent, a few of us visited the National Videogame Museum in Sheffield several years ago (that was one of my rather good ideas if I may say so), which led to me wanting to visit the Centre for Computing History in Cambridge although I haven’t quite made it there yet. I suppose I should visit with my friend Richard, as one of his many claims to fame is that he wrote software for the Amiga in the 1990s (he’s much older than me, and he has found evidence that he is getting much older, but I digress in case he reads this). The Cambridge museum appears to have a lot of Amigas in their collections, I can relive my youth once again.

  • Liverpool Weekend (Day Two) – Museum of Liverpool – Patricia Routledge

    Liverpool Weekend (Day Two) – Museum of Liverpool – Patricia Routledge

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    I was busily learning plenty of things at the Museum of Liverpool, not least that the great Dame Patricia Routledge has a long history with Liverpool. It’s 50 years next year since she appeared in Steptoe and Son (still my favourite TV programme), but it’s already 33 years since she was the star of Keeping Up Appearances. Routledge was educated at Birkenhead High School and then the University of Liverpool, making her first stage performance at the Liverpool Playhouse in 1952. She’s currently 94 years old and she’s still making occasional television appearances. So there we go, everyone will be fascinated to know that I’ve learned about her connections with Liverpool.

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    I was though already aware that Ziggy Greaves was from Liverpool, that one was more obvious.

  • Liverpool Weekend (Day Two) – Museum of Liverpool – The Not Original Ceramic Hen from Bread

    Liverpool Weekend (Day Two) – Museum of Liverpool – The Not Original Ceramic Hen from Bread

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    It was unclear at the Museum of Liverpool whether this was the original ceramic hen which was used on the BBC programme Bread in the 1980s and 1990s. Unfortunately, after some checking, it’s not the original one which is a little disappointing. There’s still some authenticity to it as it was presented to Katy Carmichael, the actress who played Connie, by Carla Lane, the writer of Bread. I hadn’t given much thought about this before, but the museum addresses the negative stereotypes about Liverpool presented by the programme, which was at one point was watched by over 20 million people.

    There’s a surprising amount of commentary about the whole matter of the city’s portrayal and Bread, not least at https://www.bbc.co.uk/news/uk-england-merseyside-36425330. I still wonder what happened to the actual ceramic hen used in the show though.

  • Liverpool Weekend (Day Two) – Museum of Liverpool – Daniel Kirkwood’s Everton Contract

    Liverpool Weekend (Day Two) – Museum of Liverpool – Daniel Kirkwood’s Everton Contract

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    Continuing on from my post about the Museum of Liverpool having the largest collection of Everton memorabilia in the world, this is the contract of Everton player Daniel Kirkwood (1867-1928), dating to 1890. He was to play for the team between 1889 and 1893, later becoming a director of the football club before reaching the giddy heights of Everton’s chairman during the 1909/1910 season.

    Everton were the big payers at the time, Nick Ross was receiving £10 per month in 1888, which was thought to be twice the amount of any other player in the league. Unfortunately, this contract doesn’t state how much Kirkwood would be earning for his efforts, but Everton were paying around £5 per week at the time to their players, who usually had other jobs. There’s more about him at the Everton Collection. Anyway, I’ve now better focus on reading about today’s Everton team, rather than trying to find out more about the one from 130 years ago which is rather less likely to crop up in pub chat if I’m being honest.

  • Liverpool Weekend (Day Two) – Museum of Liverpool – 1890/91 Everton Season Ticket

    Liverpool Weekend (Day Two) – Museum of Liverpool – 1890/91 Everton Season Ticket

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    I’m something of a lapsed football fan, once being rather quite knowledgeable about Everton and now unlikely to be able to name more than half of the team. But, since I’ve decided I’m like a young (well, slightly older than young) Tony Cottee with my footballing skills I’ve started to follow it a little more. Still supporting Everton of course (and Whittlesey Athletic F.C. now I’ve seen them play in Great Yarmouth), I’m no glory hunter. Within the next few weeks, I’m confident that I’ll be able to name the entire Everton team, which I accept doesn’t make me a superfan, but it’s all relative.

    This is a season ticket from 1890/91, which was the year of Everton’s first league title. That year was the third season of the Football League with Everton storming to the top of the league with 29 points. What I consider interesting, well it’s all relative though of course as I don’t get out much, is that the southernmost team in the league (in geographical terms) that year was West Bromwich Albion. Prizes (of a beermat or something) to anyone who knows when the first southern team managed to get in the league….. Answer at the bottom of this blog post, as anticipation can be overdone.

    The Museum of Liverpool holds the largest collection of Everton memorabilia in the world, but I only discovered it as we were about to leave the museum. That led to a flurry of photographs, my standing on my shoelace (I still annoy my friend Łukasz by refusing to double tie shoes as it’s too complex, but that’s another matter altogether) and a reminder to myself that I’d better go back to the museum.

    Oh, the answer to my competition quiz question was that it was in 1904 when Woolwich Arsenal hit the big time. I imagine my friend Ross might have known that. Since I know his reading of the blog is erratic to say the least, I’ll ask him in person….

  • Liverpool Weekend (Day Two) – Museum of Liverpool – Hillsborough Disaster Ticket

    Liverpool Weekend (Day Two) – Museum of Liverpool – Hillsborough Disaster Ticket

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    This ticket is on display at the Museum of Liverpool and I thought that it was one of the most powerful items that they are currently exhibiting. It’s already inevitably an emotional reminder of the 97 people who lost their lives at the Hillsborough Stadium in Sheffield, a tragedy where so many lost their lives just because they wanted to watch football.

    However, this ticket is even more poignant as it belonged to Andrew Sefton, a 23 year old who had travelled to Sheffield with four friends to watch the match. He was in pen three of the Leppings Lane end stand and he lost his life in the tragedy. Sefton’s favourite football player was Tottenham’s Gary Mabbutt and he attended the funeral on behalf of the club. The BBC have some more information and final pictures of Sefton at https://www.bbc.co.uk/news/uk-england-merseyside-34452149.