Category: UK

  • Hull – Ferens Art Gallery

    Hull – Ferens Art Gallery

    The Ferens Art gallery was opened in 1927 with funding from Thomas Ferens, a wealthy and generous local businessman who operated the manufacturing business of Reckitt and Sons. St. John’s Church was demolished to allow for its construction and it replaced another smaller existing art gallery in the city.

    Soon after the Second World War began, the gallery was used to hold an exhibition of Polish artworks that had been saved during the Nazi occupation of Poland. As the threat of air raids increased, the gallery’s contents were then placed into storage throughout the war, although the building remained relatively undamaged. It was though used by the city’s civil defence casualty service during the latter part of the conflict, a rather different usage to what had been intended for the premises.

    The Hull Daily Mail published an article in 1938 which referred to a temporary exhibition upstairs at the Ferens, with works loaned from the collection of the late Earl of Lindsey. The newspaper mentioned that “shut away in the long gallery of many an old English country house are paintings of immense artistic value. They come into the public eye only when some picturesque and erudite thief shows a practical resentment of this seclusion”. I liked the quality of this prose, but it’s also a reason why the Ferens came into being in the first place, to try and make art more accessible.

    The gallery’s main central atrium. For a provincial art gallery, this is an impressive effort with some paintings by artists that I’ve actually heard of, which is always a bonus. The gallery is also relatively large and there are some temporary exhibitions on, of which the William Wilberforce was particularly interesting. Entrance to the permanent and temporary collections are free of charge, with the gallery being busy, so it all seemed a worthwhile investment for the city.

    My other posts about artworks in the gallery:

    A View on the Grand Canal by Antonio Canaletto

    William Wilberforce by Sir Thomas Lawrence

    1791 Debate of Motions Book

    The Press Gang by Alexander Johnston

    Straitjacket Chairs by Nina Saunders

    Julian, the Artist’s Son by Roger Eliot Fry

    The Batsman by William Day Keyworth

    In the Cinema by Malcolm Drummond

    Fun Bag by Victoria Sin

  • Hull – Ferens Art Gallery (A View on the Grand Canal by Antonio Canaletto)

    Hull – Ferens Art Gallery (A View on the Grand Canal by Antonio Canaletto)

    I looked across one of the gallery rooms and thought how much clarity this painting had and how much like a Canaletto it was, one of my favourite painters. I didn’t think the Ferens would have an artwork by this artist, so this was all rather lovely when I realised it looked like a Canaletto because it was painted by Canaletto….. It’s of the Grand Canal in Venice, one of many artworks painted of this stretch of canal by Canaletto.

    The painting was gifted to the gallery by Muriel Thetis Warde in 1964, the youngest daughter of a Hull shipping magnate, and was originally painted between 1725 and 1730. The gallery says that this is “one of the few undoubted Canaletto’s in an English municipal collection”, although it was previously thought to be by Francesco Guardi, so that lack of doubt is a relatively recent thing. Anyway, very lovely and my favourite artwork in the gallery.

  • Hull – Ferens Art Gallery (William Wilberforce by Sir Thomas Lawrence)

    Hull – Ferens Art Gallery (William Wilberforce by Sir Thomas Lawrence)

    This painting is on loan to the Ferens from the National Portrait Gallery and I’ve used their photo since their licensing allows for me to do that. And it’s nicer than my photo. I hadn’t realised that Wilberforce suffered badly from a curvature of the spine, which meant he had to wear a metal support. This illness is why the artwork is painted in the way that it was by Sir Thomas Lawrence, a popular portrait artist.

    The artwork was painted in 1825 and was funded by Sir Robert Inglis, a friend of Wilberforce, to mark his retirement from Parliament. However, there was only one sitting and so the painting was never completed, with Lawrence dying in 1830. Inglis wouldn’t let anyone else finish the work, so it remained uncompleted. Inglis kept the painting and following his death it was given to the National Portrait Gallery in 1857, one of the earliest artworks in their collection which had only opened the previous year.

    It’s a marvellous painting, or what there is of it is, lots of character and emotion in Wilberforce’s face.

    The painting, and many other items relating to Wilberforce, are part of a temporary exhibition at the gallery, which was really well put together. Above is a photo taken from the opening of the William Wilberforce museum in the city, with the painting visible in the room in which he was born. I assume that this is the original painting that was once again on loan to the city.

    Just for completeness, this was my photo of the painting.

  • Hull – Ferens Art Gallery (1791 Debate of Motions Book)

    Hull – Ferens Art Gallery (1791 Debate of Motions Book)

    This beautiful book is part of the William Wilberforce Coming Home temporary exhibition at the Ferens Art Gallery, a debate of the motions which took place in the House of Commons. The book belonged to Wilberforce himself and some of the notations in it are by him. The whole debate, which is available on Google Books, is a fascinating read, including some rather ridiculous notions that MPs had who were defending the slave trade. Wilberforce’s arguments were strong, coherent and passionate, although he lost the 1791 debate with 88 votes supporting him and 163 opposing him. It was another 42 years before slavery was finally abolished in the UK with the 1833 Slavery Abolition Act, but sadly Wilberforce died just three days before that vote took place.

     

  • Hull – Ferens Art Gallery (The Press Gang by Alexander Johnston)

    Hull – Ferens Art Gallery (The Press Gang by Alexander Johnston)

    Impressment, or press ganging, was a substantial problem for merchant sailors around the coast of the country during the eighteenth and early nineteenth centuries. There they would be, enjoying a little drink or eight at a pub or tavern, then before they know it they’re a member of the British Navy. I must admit, I’d be bloody angry if I got waylaid going home and was sent to serve in the Royal Navy. Unless they got me a little desk job which didn’t involve climbing up the rigging.

    There was an interesting fact I read in one of the books at the library, which was that the leaders of the press gangs were treated very well by merchant ship owners, effectively a bribe to ensure that they didn’t take any of the crew from their vessel. Money talked a lot in this regard, anyone press ganged with wealth or influence was likely to magically be freed from their new naval ties.

    This painting is by Alexander Johnston (1815 until 1891), a Scottish artist who specialised in painting historic events. The artwork was painted in 1858 and was purchased in 1913 by Dyson Lister, who was named as a gallery agent. The Ferens Art Gallery didn’t open until 1927, but he purchased other paintings at the same auction, which are also now in the gallery. The painting was sold in a three-day sale of paintings owned by George McCulloch, who was a wealthy mine owner who had died in 1907. He had an enormous collection of artworks and his policy was to only buy paintings that were painted during his own lifetime. Lister paid 130 guineas for the painting, the equivalent of around £10,000 in today’s money.

  • Hull – Ferens Art Gallery (Straitjacket Chairs by Nina Saunders)

    Hull – Ferens Art Gallery (Straitjacket Chairs by Nina Saunders)

    This artwork is actually untitled, I’ve given it a very unoriginal title for sake of completeness… In essence, this is two chairs joined together with a straitjacket. OK, this joins my list of artworks I don’t understand, so I’m reliant on the gallery’s description once again. And they say:

    “In the content of much of Saunder’s work their anthropomorphic nature hints at family relationships; dark family secrets, sibling rivalries and even incestuous affinities”.

    I probably wouldn’t have guessed that on my own, I’d thought that it was something like office workers being tied together within the confines of a corporate environment. Although, what I think is rarely what the artist thinks. Anyway, the artwork is by the Danish artist Nina Saunders and she had an exhibition at this gallery all the way back in 1995, which is also when this piece was purchased by the Ferens.

  • Hull – Ferens Art Gallery (Julian, the Artist’s Son by Roger Eliot Fry)

    Hull – Ferens Art Gallery (Julian, the Artist’s Son by Roger Eliot Fry)

    I felt that I had to comment on this photo given the subject’s name. Roger Eliot Fry lived from 1866 until 1934 and seemed multi-talented, being an artist, author, public speaker and lecturer.  The Oxford Dictionary of Art and Artists notes that Fry had a “more modest reputation as an artist”, which I suspect is a polite way of saying that he was really quite average at painting, but was brilliant at lecturing. Fry had two children, Pamela and Julian, with the latter being the subject of this 1911 artwork, when he was aged 10. Roger Fry was also the grandson of Joseph Fry, the one of chocolate fame…

    I was intrigued to see what happened to Julian Edward Fry and I found that he’s listed on the passenger list of a ship which headed from Southampton to Halifax, Nova Scotia in Canada in 1923. He made other journeys to Canada and the United States over the next few years, so his family had clearly retained some wealth. He married the Canadian Eva Kathleen Lockwood in 1930 and they had three children, who were Roger, Alan and Joan, with Julian dying in 1984 in British Colombia, Canada. Alan Fry was born in 1931 and died in 2018, with family members seemingly still living in Canada.

  • Ely – Community Herb Garden

    Ely – Community Herb Garden

    This is a rather nice idea, a community herb garden at Ely railway station. I don’t know much about who has organised this, but what a wonderful project.

    Sorrel and lemon thyme.

    Parsley.

    Apple mint.

    Rosemary.

    It’d be an interesting project to extend this to more railway stations, although preferably of course only locations where the local ‘wits’ won’t damage them.

  • Hull to Norwich by Train – Northern, LNER, Cross Country and Greater Anglia

    Hull to Norwich by Train – Northern, LNER, Cross Country and Greater Anglia

    My time in Hull had come to an end, so it was time to get the train back from to Norwich. In theory, this would have involved a Northern train from Hull to Doncaster, an LNER train from Doncaster to Peterborough and a EMR train from Peterborough to Norwich.

    Here it is, the pride of the north, a Northern Rail Pacer train (144019) which they were phasing out by July 2019. As can be seen here, since it’s October 2019, that timetable hasn’t been met and there’s another year of them.

    These really aren’t the best of trains, they probably do need to be sent to the dustbin of railway history.

    Anyway, I was meant to get the 19:27 train from Hull on the Northern service. There was flooding along the line, outside of where I was going, but it was impacting on the Northern train service. Being a responsible passenger, I approached the TransPennine ticket desk as this was the only one I could readily find and they’re the company who operate Hull Paragon Interchange railway station. On this, I wish they’d just call it Hull, as it’s a bizarre name for the city’s main railway station. The staff member there was helpful, but he reassured me that the 19:27 was running, but that there was a service at 19:12 if there was a cancellation of my service. But, if at 19:12 the 19:27 service was showing, I had to wait for that, which is what I did.

    There was a member of First staff at the railway station, which is logical because they operate the very interesting Hull Trains open access service to London from Hull. He was offering customer service advice as the 19:27 service was changed to start from Sheffield, not from further down the line. And, by the time I spoke to him, the 19:27 service wasn’t operating on time. This is relevant, in what is otherwise a winding and endless story, of mine because I could technically now no longer get home. He said that the rail policy was to get as far along my journey as possible, which made sense to me. He also explained that there were some tests of the brakes going on as the train had gone through the flooding earlier on during the day.

    So, on the 19:27 service I get. I say 19:27, but the doors didn’t open until 19:40 and it didn’t set off until nearly 19:50. It then made extra stops, so my train from Doncaster to Peterborough had long gone when I arrived into Doncaster.

    I thought I’d go and ask LNER staff at Doncaster what the rail policy was, because I’m interesting in knowing what happens when the rail network goes a bit wrong and people need to get home. Some of what they told me I knew, other parts I didn’t. But, in short, I was told that the rail network preferred to get taxis home for anyone who missed their final connection, as this is the set-up that different rail operating companies have with each other.

    I was also told that rail companies might pay for a hotel, but this would usually have to be at least semi-authorised by the rail company would end up paying for it. So, it would be hard for a member of LNER or Greater Anglia staff to authorise a hotel and then get Northern to pay for it, whereas taxis were always paid. LNER apparently frequently shuttle passengers by taxi from Doncaster to London and from Doncaster to Newcastle, but rarely pay for hotels. But, equally, I was told that rail staff have been told to be pragmatic, so if someone is stranded hours away from home, with no other passengers to share a taxi with, the rail company might just pay for a hotel and endorse the ticket for use on the next day.

    I had also become aware by now that I had what they called “an illegal connection” which was possible. So, not a connection that wasn’t allowable, but just one that passengers couldn’t be expected to get as there wasn’t enough time to change trains. Which is like conformance times at airports, although they can enforce those cut-off points. In my case, I could connect from the Doncaster to Peterborough train onto the Peterborough to Ely train, but there was only four minutes to do so. The LNER staff told me that I was under no obligation to rush for this, nor was I expected to even know about it. Rail policy was I should present myself to rail staff at Peterborough and they’d advise me. It was clear here that if I wanted a free taxi from Peterborough to Norwich, I could probably get one by faffing about when disembarking. However, I prefer trains and don’t really like taxis, and it would have also been a waste of the rail company’s money, in this case, Northern Rail.

    At this point, I boarded the LNER Azuma train at Doncaster, which is in the above photo when it pulled into the railway station.

    I commented on these before when I got the train up, but these are really clear to understand. There was also plenty of seating on the train.

    And I got my table seat, with wi-fi and power that all worked well. An LNER member of staff came by and I asked him about my connection at Peterborough. He said the same as the customer service staff had at the station, which was that I shouldn’t worry, I should just get off at Peterborough and ask a member of platform staff what to do.

    I was slightly disappointed to get off, as a staff member had just come into the carriage to check tickets. The customer behind me only had a reference number for his ticket, not the actual ticket. I was humoured by the staff member when she said “what do you want me to do with a reference number?” and the customer replied “accept I’m telling the truth?”. Which is quaint and rather innocent. She replied “it doesn’t work like that, how it works is you give me £130 and then I give you a ticket and not just a reference number”. I’m not sure what journey he was making, as that seems a lot of money, but he wasn’t happy. They were just getting into quite an argument, albeit a polite one, and I was really disappointed that the train pulled up into Peterborough and I didn’t hear how that ended. I love a drama….

    And the good news is that I got in Peterborough six minutes early, so an impressive performance from LNER on a really decent train. Above is the photo of the train as it departed from Peterborough towards London.

    Which then meant that I’d get the Cross Country train to Ely, which turned up on time. I got another table seat and the train was comfortable, but not particularly clean.

    Let’s just say, it was clear that there wouldn’t be a fight for space when boarding the train. This is Ely railway station and it’s a shame Dylan and Leon weren’t there, we could have gone under the tunnel at least 20 times in the time I had to wait. The Greater Anglia service was on time and the staff member was enthusiastic and helpful, something which is common with their staff, which is why I still like them a lot as an operating company.

    And smoothly into Norwich railway station, on time and the Stadler train (the one on the left) journey was seamless and comfortable. The train fare cost £19.80 and I got in 57 minutes late, so I’ve put in a delay repay request to Northern Railways for £9.90. I’m not sure how this will work out as they don’t seem to think they operate a 19:27 service, as it didn’t come up on the on-line form. We shall see, but all told, the rail network did come together nicely and there was not one single moment where I was doubting whether I’d get home somehow, even if it was a taxi.

  • Ely – Happy to Chat Bench

    Ely – Happy to Chat Bench

    I’ve heard about this concept and seen it in photos, but this is the first time that I’ve actually seen one. This bench is at Ely railway station and what a very lovely idea. Congratulations to Greater Anglia, the British Transport Police and the Samaritans.