Category: UK

  • Honing – Name Origin

    Honing – Name Origin

    On a little meander around North Norfolk churches we visited Honing, a village with a population of around 300 people. So, on my theme of establishing where these names come from, The Concise Oxford Dictionary Of English Placenames says:

    Honing, Norfolk. Hanninge in 1044, Haninga in Domesday Book, Haninges in 1150. Old English Haningas, the people at the han or rock. Very likely han here means hill and refers to the small hill at the place.

    As an aside, the ‘han’ here is the derivative of what became the word honing, as in improving and sharpening skills. The word ‘han’ could mean hill or rock, in this usage of the word it became used as meaning a whetstone where razors were sharpened. So, although they’re pronounced differently, Honing (the place, Hon rhymes with Bon as in the French word) and honing (the skill, honing rhymes with boning) have the same origins.

  • King’s Lynn – St Nicholas’s Chapel (No Bells)

    King’s Lynn – St Nicholas’s Chapel (No Bells)

    This is sad to see, the Grade I listed chapel has successfully raised money to restore its bell and to encourage a new wave of volunteers to bring back this historic tradition. Some local (I assume) denizen has scrawled “no bells” on the door in white paint, which must be a slightly soul-destroying sight for those involved with the chapel’s restoration. But it seems that the Churches Conservation Trust are undeterred and will continue with their work.

  • King’s Lynn – St Nicholas’s Chapel (Churchyard)

    King’s Lynn – St Nicholas’s Chapel (Churchyard)

    One of the most notable elements of the churchyard is the Exorcist’s House, located on its edge.

    But, sadly, the graves here are nearly all in a poor state of repair and many have been lifted up and propped up against the walls. It’s disappointing that the majority of gravestones are unreadable, there are many stories here that now can’t easily be told. I can’t find an old photo of the churchyard to establish when the stones were moved, but I imagine it was in recent decades.

    There’s an interesting mix of gravestones, with several from the seventeenth century, but I struggled to make out sufficient details to be able to identify the person listed on them.

  • Hull – Hop and Vine (July 2020 Interview)

    Hull – Hop and Vine (July 2020 Interview)

    Of all the pubs that I visited in 2019, I’ve written before about how much I liked the welcome offered by the Hop and Vine in Hull. I compiled my favourite pubs of the year, and the Hop and Vine was the one that stood out for me and I’ve merrily told many people about it. And, I’m looking forwards to returning to Hull in September with a small group of people. If social distancing requires, we’ll take it in turns to go in, quality is worth waiting for. The pub didn’t open immediately when it could have done at the beginning of July, but took a little longer to get things right and re-opened this week.

    I asked Tony from the pub (with the new social distancing measures visible here) if he’d be willing to answer a few questions about how things are going with the current situation and he kindly agreed. I’m very grateful for the depth of his answers and incidentally, I too am disappointed and have written about several times when a pub offers six pints of the same style, so I’m glad that this was addressed here. But that’s just a little gripe of mine and there’s no fear of having that problem here. Anyway, before I digress too far, onto the questions and Tony’s positive way of looking at the situation.

     

    You’re back open again, was it a successful re-opening for you?

    Not bad, considering the restrictions. I managed to develop a collection and delivery service with continental bottled beers during lockdown and so I now have a wider selection of bottles alongside the ales and ciders. The footfall outside is far more limited than usual, so whereas I should have been turning lots of people away on Saturday, only one person did not fit into our restricted space. We have screens between tables less than 2 metres away from each other and our capacity is down from 35 to between 6 and 15 depending on the size of individual groups. Where there is beer, there is hope!

    How easy has it been to implement social distancing and have customers been prepared to come back?

    We are not the easiest bar to distance in, but the government’s allowance of 1 metre plus mitigating measures has enabled me to open. We now have table service only and screens between the closest of tables, one in; one out for the toilets and hand sanitiser everywhere. It is more difficult to notice when someone requires a further drink when it is “busy” (under the new normal), but customers are patient and generally very accommodating to the new arrangements. As expected, when people have drunk a bit, I have to reiterate the new rules to keep people distanced, but again no problems with compliance and people are sympathetic to my situation.

    I was surprised just how accepting people were of giving their contact details to me. Most customers so far have been regulars who are pleased to be back, but I have new customers who live in the same block, who discovered our collection service during lockdown (the leafleting worked!) which is good. Although some regulars have returned, we have a number of regulars who are older or who have health conditions and I am sure some of them are still protecting themselves at home and that seems totally the right thing to do. I look forward to seeing them back when some sort of normality has returned.

    What do you see the future being for pubs in Hull, is there cause for optimism?

    It is really difficult to know at the moment what the future is. I know of a couple nearby that have closed down due to landlords leaving, but there are others that were due to open during lockdown and have now opened. For me the jury is still out on whether to be optimistic or pessimistic for the time being.

    From my past visit, it was clear that you have a real community feel. Were the community and your regulars supportive during the period of closure?

    Yes. I had a lot of contact with regulars through social media and texts during lockdown. Some of them were making their own arrangements for home deliveries and some were using it as a time to detox, but all were keen to see the Hop and Vine open again. When I started collection and home deliveries, I had a good response from customers old and new, but this definitely died down a bit when pubs reopened (I didn’t open till the 16th July). This was understandable as many people want to drink in a bar rather than at home.

    On the same theme, just how have you managed to deliver such a friendly welcome and atmosphere, something missing from many pubs?

    Now, that is an interesting question. Firstly, I am pleased that you found us friendly and welcoming. That has always been my aim and those that have worked for me have always seen a smile and a welcome to be important. I have always taken the view that my main aim is for customers to leave wanting to return. So a smile and “hello” at the beginning and a farewell greeting have always been important – sometimes difficult when very busy – and keeping the place clean and the drinks in good condition are a priority. Esther, Dave, Erika, Erica and John have been integral to keeping the convivial atmosphere at the Hop and Vine as they have worked behind the bar and special mention has to go to Esther who trained me up and still knows everything there is to know about the bar.

    Sometimes we get things wrong or maybe a beer turns. In these situations, I always try to ensure the problem is remedied and that the customer leaves happy. Sometimes it is only small things that make the difference and I try to include these in the service. Overall, I try to keep smiling and to engage customers during their visit as much as they wish. Some people just want to sit quietly on their own and it is equally important to recognise this.

    Of the cakes that you sell, which is your personal favourite?

    We no longer have the cakes, but they may return. Personally, I enjoyed the citrus ones, but I don’t have a sweet tooth and I am sure others might have chosen something like the sticky toffee cake.

    Your beer selection, if I may say, seems well balanced and thought through for a small venue. How do you go about choosing new beers, are you guided by wholesalers or customers?

    Firstly, my aim is to provide a light/golden ale, a best bitter style and a dark beer at all times (occasionally I have been caught out, when I have misjudged a style!!). I have always been frustrated to enter some pubs and find 6 handpulls of basically one style. We have a good number of drinkers of all styles so it does work well. Most of my purchases are directly from brewers, either of their own beers or of swaps they have received from elsewhere, so it is then the delicate balance of buying a reasonable amount from an individual brewer, but mixing the styles as well. I also generally try to keep 3 separate brewers on the bar at any time, so with my orders, I am often planning several weeks ahead. This caught me out at lockdown and I had more full casks left than I would have liked and sadly had to cancel orders that I expected when lockdown looked likely. This will have had a knock-on effect for the brewers who had orders cancelled, but they understood. The good news is that some of the pre-lockdown untapped beers are ok – strong and dark beers tend to last well, but I don’t expect them all to be in good form and am now ordering in pins rather than firkins as I don’t expect the flow of ale to be as fast as it was previously. As for who guides me on my choice, I have responded to contacts from brewers, I have tried to order beers that customers have requested and also gone back to old favourites that customers have clearly enjoyed. I am a Shropshire lad and I will get Shropshire ales in every so often to showcase God’s own county (oh dear there go all my Yorkshire customers).

    Last year, I was down in my home county and popped into Ludlow brewery to collect a couple of pints. There were no complaints and generally you don’t see Ludlow beers in the area. Another time, a customer was in Dorset and brought back a couple of casks of beers he had enjoyed down there (Drop the Anchor brewery I think), while I sorted payment with the brewery (the wonders of the internet). Again, customers lapped up these delicious beers. Obviously price plays its part and I have to consider what the brewer is charging so that I can keep prices reasonable for my customers and occasionally will go above my usual budget to bring in something a bit different.

    Would you be willing to name your other favourite pubs, whether in Hull or further afield?

    There are pubs in Hull that I would recommend in Hull, but I think it would be unfair on those I don’t name to include them here. Further afield, I do like the atmosphere and beers at Monk’s Walk in Beverley, particularly when they have had a small cave like bar open. A lot of history to see there. Chequers is also my style as I tend to enjoy smaller pubs with a good selection of styles. In Goole, I like the Tom Pudding, named after a type of boat that used to be used in the area. Down in London, I used to make the Bree Louise a must visit pub, but sadly HS2 has required its demolition. There are a lot of great pubs down there to enjoy a pint in. In Shrewsbury, I would make particular note of the Three Fishes and Admiral Benbow. Beyond these shores, I would also mention my particular favourites in Amsterdam of Cafe Belgique and Arendsnest. I could go on, but I will leave you with these select few.

    And, finally, do you have a favourite beer or cider?

    Now then, now then! That is always a difficult one with so many good ales around. I have rather enjoyed the Top Rope coffee porter (A little press conversation) that we have on the bar at the moment. However, historically I would put Isaac Poad’s Piccadilly Porter and Exit 33’s oatmeal stout as beers that I have particularly enjoyed over my tenure. On a personal level, I favour darker beers, but on the lighter side, Hop Studio’s Mosaic has excellent flavour and body to it. Sometimes my favourite beer just happens to be the one I am drinking at the time!!

    Oh, and I did really enjoy Rooster’s Capability Brown on 4th July at our local Head of Steam. We will have to wait and see if that becomes a regular favourite of mine. As for cider, I tend towards the medium Dry and Dry ones. Circle Cider Cats tongue was a favourite of mine, but I think the company is no more. Over the last year or so, I have really enjoyed Mahorall’s medium from Shropshire and Coleman’s Quince Cider from East Yorkshire. At the Hop and Vine, I don’t sell ciders with added fruit, but with quince being from the pear family and being fermented in the process, I was happy to serve it at one of our cider festivals and it was firm favourite with a number of our customers. The quince gave it a slightly different flavour but a very pleasing one, with a slight astringency.

    On a final note, thank you for giving me the opportunity to talk about the Hop and Vine’s response to the current situation. It has given me the opportunity to review my own thoughts and obviously, if any of your readers are in the area, they will be very welcome to join us. If travelling some distance though, it may be worth a phone call in advance on a Friday and Saturday (07507 719259) to ensure space is available. Not necessary when normal service is resumed.

  • King’s Lynn – 2 St Ann’s Street

    King’s Lynn – 2 St Ann’s Street

    This property is one of many reasons that King’s Lynn is so interesting historically, so many buildings with a long heritage that have survived the centuries. Much of this is because King’s Lynn was a relatively large town that never really grew rapidly, so there wasn’t the constant upgrading and rebuilding of structures.

    The building is now used as a shop and residential property, but was originally constructed in the late fourteenth century. The surround on the left-hand side of the building, going towards the rear courtyard, is from the nineteenth century, from a similar period to the shop frontage, which is from the mid-nineteenth century. The listed building record notes that “the interior was not accessible at time of the review but likely to be of considerable interest” and that sounds entirely sound given the long history of the structure.

    In many towns, a fourteenth-century building such as this might be seen as the pride of the area, but here, it’s just another historic building. All very lovely.

  • King’s Lynn – The Exorcist’s House

    King’s Lynn – The Exorcist’s House

    Whilst having a little look around the churchyard of the Chapel of St. Nicholas (which is frankly nearer to the size of a Cathedral than the usual chapel you might expect) I noticed this quaint little building. It’s evidently charming, although I’d never dare live in it given how close it is to the graves. And, also its name, it’s the Exorcist’s House.

    The house, also more delicately known as 8 Chapel Lane, was built in 1635 and other than the twentieth-century door, isn’t much changed. So, why the Exorcist’s House name? No-one is quite sure, but an exorcist used to have a more prosaic meaning to it than the modern horror linked word. It was simply a church official who would try to cast out a demon, which is not an unusual Christian theological tradition. It’s likely that the name is from a property that is older than the current one, so it probably relates to a different structure and the moniker just carried over.

    One former owner noted in the book Ghost and Legends that “the house is haunted, but not very enthusiastically” which sounds a nuisance, an uninspired ghost lumbering about the property.

    The house was placed on the market recently for £215,000, not a bad price for those who like their history. And ghosts.

  • Oxborough – Oxburgh Hall (Queen Mary and Sir Henry Bedingfield)

    Oxborough – Oxburgh Hall (Queen Mary and Sir Henry Bedingfield)

    I like an old document… And this is one where Queen Mary is referring to the appointment of Sir Henry Bedingfield to the role of the Lieutenantship of the Tower of London in October 1555. This would have been a tricky time to hold such a role, there was much political intrigue and willingness to overthrow the Monarch and it’s hard to see how the role wouldn’t have involved creating enemies and being in charge of methods of torture.

    One of Henry’s relatives, of the same name (1586-1657), found himself in a different role in the Tower of London in 1647, when he was arrested and imprisoned there. All turned out well for him in the end, he was released and ultimately his loyalty to the Crown saw him rewarded financially. Always good to back the right horse…..

  • Oxborough – Oxburgh Hall (Portrait of Queen Elizabeth)

    Oxborough – Oxburgh Hall (Portrait of Queen Elizabeth)

    The National Trust seem to have placed this seventeenth-century painting, of artist unknown, on display here to make the point that “the pressure to make yourself look beautiful without understanding the consequences is not just a twenty-first century issue”. They’re making reference to the makeup that Queen Elizabeth I (1533-1603) used to look pale, which was made of what transpired to be poisonous white lead which caused hair loss.

    I’m not entirely sure that the first thing I thought about when looking at this painting was the Monarch’s make-up, and perhaps the National Trust have fallen into the same trap of managing to say nothing about her achievements, but it is undeniable that Elizabeth’s appearance changed over the decades.

    When she was young it was said about her that:

    “Her figure and face are very handsome; she has such an air of dignified majesty that no-one could ever doubt that she is a queen”.

    However, by the time she was in her sixties, another correspondent noted:

    “Her face is oblong, fair but wrinkled; her eyes small, yet black and pleasant; her nose a little hooked; her teeth black (a fault the English seem to suffer from because of their great use of sugar); she wore false hair, and that red”.

    Ignoring the Monarch’s appearance, Queen Elizabeth I certainly knew how to control her court, and was able to maintain her position on the throne from 1558 until her death in 1603. She was able to maintain the Protestant faith, albeit making slight concessions to Catholicism, and her foreign policy was to a large part successful.

    But, back to the National Trust’s focus on appearance, it’s true that Elizabeth was concerned about this. It is reported that it could take four hours a day to dress and undress the Queen, which seems to be an unreasonably proportion of time. In addition to the white lead and vinegar skin-care, she also spent time coloring her lips with beeswax and plant dye.

    Elizabeth I also suffered from depression and significant health problems throughout her life, with one of her better-known quotes being:

    “I know I have the body of a weak and feeble woman, but I have the heart and stomach of a king, and of a king of England, too.”

  • Swanton Abbott – St. Michael’s Church (Interior)

    Swanton Abbott – St. Michael’s Church (Interior)

    Last time I visited St. Michael’s Church in Swanton Abbott it was closed, but fortunately on a sunny July Sunday afternoon, it had been partly opened.

    Only the chancel area was open to visitors and the nave was closed off, meaning that the church’s Priest Door was brought into use. I didn’t get the impression that the church had been inundated with visitors, but it was useful that it had been opened up and clear signage installed.

    The chancel end of the church, with this grand wooden arch-braced roof dating to 1953.

    The interior is bright and well proportioned, with the fifteenth-century font being visible at the back of this photo.

    The rood screen was mauled about between 1906 and 1913, with the position of the paintings changed and no-one is now quite sure what they were like before the rector had his DIY moment. There’s some beautiful visual imagery here though, it must have inspired at least some of the congregation when it was originally installed.

    As mentioned, we entered through the Priest’s Door in the chancel, although with good intentions. In 1851, Robert Fisk, James Dyball and George Green entered the church through that very same door, but not with the same good intentions. Numerous books on one pew were destroyed and the matter went to court, with initially a decision that the men weren’t guilty. Then something changed and Allen Hook (the son of the parish clerk) found himself charged with perjury and an appeal was accepted with the three men facing trial again. This time the magistrates in Aylsham sentenced the three men to six weeks in prison, with hard labour to add to the mix.

  • Walcott – All Saints Church

    Walcott – All Saints Church

    Located near to the Norfolk coast, Walcott Church stands rather adrift in the landscape, although it’s visible for some distance. The construction dates for the building are known with some precision, the nave was constructed in 1427, the tower in 1453 and the porch in 1467. It’s a sizeable building for the size of the settlement, an optimistic construction for what transpired to be the last wave of new churches before the Reformation.

    This is another church that was updated and modernised by Richard Phipson in the nineteenth century, although internally it did need some re-ordering.

    The listed building record doesn’t give a date to this door in the tower, but it appears (to my very untrained eye) older than the fifteenth century. Given that the font inside is thirteenth-century, perhaps this came from an earlier church on the same site.

    The ironwork on the porch door dates to the mid-nineteenth century and was made and installed by Fitt and Parke of Stalham. Unfortunately, the church was closed to the public during my visit.