Well, this is very lovely. 20p each…..
Very restrained of me I thought.

I usually visit the British Museum three or four times a year, something which is a little difficult to do with the current virus situation, primarily because it’s shut. However, they’ve placed hundreds of thousands of images on their web-site, so this will have to do me for the moment. The images can be used non-commercially, as long as the British Museum is credited. So, this is their credit.
This plate is from 1787 and has the beautiful Norwich Cathedral at the rear, whilst a donkey chucks a boy off its back, kicks a dog and then gets whipped by its owner. Eventful to say the least…. The plate isn’t on display and was acquired by the British Museum in 1873 from George Mason, who was a bookseller.
I’m puzzled what that wall to the right is, there’s no obvious building on any overhead map from the period. It is though the site of whether Norwich Cathedral’s bell tower once stood, but this was torn down in the late sixteenth century and the bells flogged off. The building on the left is Norwich School’s chapel, the chantry chapel and college of St John the Evangelist which was built in 1316.
And a photo from around the same spot today. Unfortunately, no donkeys were visible to liven proceedings up.

Part of my Streets of Norwich project….
Located off of Princes Street, this small alley connects to Waggon and Horses Lane, taking its name from the Plumbers Arms pub which traded between the early nineteenth century and 1881.
The pub building still stands and is now trading as a restaurant, which doesn’t seem to make much of the structure’s heritage in their communications. But, the building is of importance, it has two undercrofts with one from the fifteenth and the other from the sixteenth century and it was originally constructed (albeit much changed since) in the fifteenth century as a residential property.
Norfolk Museums Service have this drawing in their collection which was created by Percy Stimpson, looking back towards Princes Street.

I usually visit the British Museum three or four times a year, something which is a little difficult to do with the current virus situation, primarily because it’s shut. However, they’ve placed hundreds of thousands of images on their web-site, so this will have to do me for the moment. The images can be used non-commercially, as long as the British Museum is credited. So, this is their credit.
This print was made by Thomas Bowles II in the mid-eighteenth century and it was donated to the British Museum in 1901 by Sir Sidney Colvin. The image tells the story of Cicely Ormes, a brave woman from Norwich who was burned at the stake on 23 September 1557.
Ormes, who was born in East Dereham, lived in the St. Lawrence parish of the city and when she was aged 21, she was pressured by a Catholic magistrate to denounce her Protestant faith. She did, but she regretted this, and so she recanted. Ormes, the wife of a worsted weaver, was then arrested a few months later and ordered to shut up about her refusal to accept the Catholic faith. She said no, so the magistrate ordered that she be burned to death.
At the stake she stood firm and said:
“Welcome thou cross of Christ” and “my soul doth magnify the Lord, and my spirit rejoiceth in God my Saviour”.
It was common for people to change their religion at this time, indeed, it was pretty essential as the Monarchs kept faffing about with their decision on what the national religion should be. But, they were allowed to just change their minds to suit the situation, which most people did for a quiet life. Cicely Ormes was clearly braver than that, she didn’t want to sacrifice her beliefs and so she died at the age of 22. She was reported to feel no pain as she died, and she was clearly very courageous, and I’m not sure that Norwich has really recognised that bravery.

I usually visit the British Museum three or four times a year, something which is a little difficult to do with the current virus situation, primarily because it’s shut. However, they’ve placed hundreds of thousands of images on their web-site, so this will have to do me for the moment. The images can be used non-commercially, as long as the British Museum is credited. So, this is their credit.
Clicking on the above image will bring up a larger version. It’s one of the better known plans of Norwich (or Nordovicum), issued at some point after 1581. It’s been in the British Museum collections for so long they don’t know when they got it, but it was before 1811.
Anyway, it’s gorgeous. At the top is Bishopgate Bridge, when it still had its gate, and Cow Tower is visible to the left of that. To the bottom, at number 14, is “Hell Gates”, which is more usually called Heigham Gate, but I prefer the version on this plan of the city. And near number 17, which is St. Stephen’s Gate, is near where the St. Stephen’s outlet of Greggs is now located.

I usually visit the British Museum three or four times a year, something which is a little difficult to do with the current virus situation, primarily because it’s shut. However, they’ve placed hundreds of thousands of images on their web-site, so this will have to do me for the moment. The images can be used non-commercially, as long as the British Museum is credited. So, this is their credit.
This is perhaps one of the more surprising items in the collections of the British Museum, a takeaway menu from Ephesus on Rose Lane in Norwich. It was given to the museum by St John Simpson, who is a curator specialising in items from the Middle East. Perhaps I’ll send the British Museum a nice JD Wetherspoon menu for their collection. Unsurprisingly, the museum hasn’t put this on display.

Part of my Streets of Norwich project….
Leading on from Gas Hill, Telegraph Road is split into East and West, divided by Quebec Street.
The entrance to the street from the Gas Hill end.
St. Matthew’s Church.
This is the only listed building, well structure, in this part of Norwich, which is the war memorial that was originally unveiled on 25 September 1921. It has been shunted about a bit as the church is new and some bloody idiot vandalised it, but it’s all been repaired and fixed up. The memorial commemorates 128 servicemen who lost their lives during the First World War.
Like being in the countryside….
That’s a slightly abrupt installation of a garage door onto the frontage of an older building. But, whatever works…

Part of my Streets of Norwich project….
The first part of this road, when approaching from Kett’s Hill, consists of early twentieth century residential properties.
Then things become a bit more exciting, with Norwich prison appearing in view. This was formerly the site of the Britannia military barracks, which is where the street takes it name from. The barracks were constructed between 1885 and 1887, with the Royal Norfolk Regiment remaining there until 1959. It was also initially built to be used as a prison and this opened in 1887, meaning that the prison at Norwich Castle could be closed and turned into a museum. When the military moved out in 1959, the prison took over those buildings as well.
Until just a few months ago, this was the home of the Cafe Britannia, where prisoners were able to get customer service work experience. I’m not sure what happened, but the entire project collapsed, with the cafe being left empty (before Covid-19).
The former entrance to the barracks. At this point, the road splits in two directions, one to the left and the other to the right, but both are apparently still named Britannia Road.
The road to the left heads back down to Gurney Road, although is also where the road to the right goes to as well so it’d be hard for anyone to get too lost here. Although I can think of a couple of people I know who probably would.
There’s quite a rural feel to this part of the road.
As an aside, it’s worth walking down Britannia Road to get this view over the city.
The prison from the viewpoint.

I usually visit the British Museum three or four times a year, something which is a little difficult to do with the current virus situation, primarily because it’s shut. However, they’ve placed hundreds of thousands of images on their web-site, so this will have to do me for the moment. The images can be used non-commercially, as long as the British Museum is credited. So, this is their credit.
The technical description for this is an “original envelope for banknote printing plate” which has the Norwich coat of arms on it. Banks in the nineteenth century seemed to be taken over as fast as sausage rolls sell in Greggs, so the whole ownership thing gets complex. I like what this represents, a period of banking revolution in the mid-nineteenth century, when banks were truly local. Although they also kept going bust which wasn’t ideal.
The East of England Bank had already taken over numerous banks, such as the Suffolk Banking Company and the Stable Bank, which I think is a very sensible name for a financial institution. The London & Westminster Bank mentioned on the note was founded in 1834 and later merged with the National Provincial and then that merged with the Westminster Bank, to become Natwest.
Barclays Bank (and I have no idea what involvement they have with all of this and why they hold some of the archives) note that:
“The East of England Bank was established in 1836 with paid up capital of £100,000 and note circulation of £25,000. The bank expanded rapidly, opening 33 branches across Norfolk and Suffolk, but got into difficulty and suspended payment on 20 July 1864. The six directors were a farmer, a retired draper, a clergyman, a surgeon, a retired commercial traveller and a Yarmouth wharfinger. The solicitor’s report said, ‘The Books and Accounts of the Bank are admirably kept and if the management had been as good as the book keeping the . . . state of affairs . . . would not have arrived.’ The company was reconstructed as the Provincial Banking Corporation, which bought the premises, other assets and accounts of the East of England for £11,625 9s. 6d.”
The note, or envelope or whatever it’s called, was issued between 1836 and 1864 and like nearly everything seems to be that I’ve seen, it’s not on display. It was on loan from the Chartered Institute of Bankers between 1987 and 2009, when the British Museum acquired it for themselves.