Category: Florence

  • Florence – Florence Cathedral (Facade)

    Florence – Florence Cathedral (Facade)

    The facade of Florence Cathedral is now one of the city’s many landmarks, but it has taken some time to get there. Work started on the facade in the late thirteenth century, but it never quite got finished and only one third was done. Delays and faffing (nothing changes) meant that it was still in a pretty similar state 300 years on, by which time the Medici family decided they didn’t like the design and pulled the facade down. They then started work on a new facade, but due to more faffing and confusion, this didn’t get completed either and by the mid-nineteenth century the cathedral was still without its frontage.

    It’s a rather looking different frontage in the mid-nineteenth century to what stands today…..

    So, what better way to get a facade started than by holding a design competition? They did this in 1864 and the competition was won by Emilio De Fabris in 1871, although it was a bit controversial….. Above are two paintings by Niccolò Barducci which are from 1883, the year that De Fabris died. They’re very similar, but they offer a choice between two Gothic designs, one in the cusped style and the other in the basilican style. It was the design on the right which was chosen and it was finally finished in 1887.

  • Florence – Giotto’s Bell Tower (Views)

    Florence – Giotto’s Bell Tower (Views)

    The views from the Campanile, or Bell Tower, located next to Florence Cathedral.

  • Florence – Palazzo Castri 1874

    Florence – Palazzo Castri 1874

    Richard was leaving Florence on Monday afternoon, so we thought that we’d go for one last meal in this quite lovely Italian city. The Fork booking system had worked well for us this afternoon, and the Palazzo Castri 1874 were offering 50% off food and drink for diners who were willing to have a late lunch at 14:00. This restaurant is located within a hotel, which had a beauty to it and a real sense of calm.

    Richard broke the automatic door when we went in, so that wasn’t the best of first impressions, but fortunately no lasting damage was done either to the door or Richard. Such a relief that the door was free from any permanent damage. Anyway, we soldiered on and the welcome offered by the staff members was authentic and engaging.

    There were gardeners in the hotel’s courtyard, which looked inviting, as well as a cat who seemed to have taken up residence. The restaurant was around half-full, having that air of being professionally run but still wanting a level of informality. I don’t like pretentious places, although Richard does, as the charm of a restaurant is it being all about the customers, not the staff acting like they’re judges in some talent competition of the diners.

    Sparkling water was swiftly brought to the table and I, unusually for this weekend, decided against a drink. There was no drinks menu, although a wine list was offered on request, which seemed an omission. The hotel also calls its restaurant boutique, which the dictionary suggests is sophisticated or fashionable. I do judge restaurants on their craft beer selection, but this is Italy, it is perhaps a little unfair to dwell on that. So, I didn’t. I’m prepared to agree with the hotel though, their restaurant is boutique.

    As we were waiting for the meals to arrive, Richard commented that someone’s food arrived in a plastic bag. I had a strong suspicion that he’d be getting a close-up of a similar meal shortly afterwards, which he did, as it was the sea bream fillet that I had ordered.

    The sea bream was served en papillote and the cooking was perfect, even if the presentation didn’t perhaps look entirely elegant. The fish was moist, tender and oozing with the flavour of the tomatoes served underneath it, without overpowering the meat. The capers, which are one of my favourite things and I’d have them served with nearly anything if I could, added texture and the black olives were soft and rich. This was one of those dishes that I didn’t want to stop, not because I was necessarily hungry, but because it was delightful.

    The potatoes which came with the sea bream were soft (bar one which was a little hard, but I won’t dwell), perhaps slightly buttery and they had a crisp edge to them.

    Richard’s antipasti of cured meats, cheeses, honey, jam and walnuts. He was pleased with this selection, although I suspect that he was right about the lack of sun-dried tomatoes being unfortunate, but everything on the plate was of a high quality and had a richness of taste. The honey, which I think it’s fair to say that Richard was moderately sceptical about, was a delight with the cheese.

    My caffe latte, which I think was served too hot, it’s rare to get it so hot on mainland Europe (it’s very easy to find that in the UK) that it’s hard to even hold the glass, but this one was. The richness of taste wasn’t there, but it tasted fine and Richard enjoyed his first experience of an Italian coffee in Italy.

    Then the bill came, which was just under £19 for one wine, one bottle of sparkling water, two mains and two coffees, with the restaurant generously not charging a coperto (a cover charge) despite providing two baskets of bread. I think that’s it fair to say that this is excellent value for money, making it just a little unfair to even mention any negatives. I left being reminded that there’s a world of hotels other than Accor and just a little disappointed that I had to leave.

  • Florence – Uffizi Gallery (Saint Luke the Evangelist)

    Florence – Uffizi Gallery (Saint Luke the Evangelist)

    The provenance of the artworks in the Uffizi is quite outstanding, although it’s not known which Franciscan church in Florence this was originally painted for. It was painted in around 1280 to 1290 and there’s a Poor Clare and a Franciscan friar at the saint’s feet. It was moved to Church of SS. Annunziata in the city at some stage, where it remained until 1881 when it came to the Uffizi Gallery. It was on display there until 1936, when it was moved to the Accademia Gallery.

    The painting arrived at Montegufoni Castle on 19 November 1942, taken there to protect it from damage or theft during the Second World War. It returned to the Accademia Gallery on 19 July 1945 and was moved to the Uffizi Gallery in August 1948, where it has remained since. It has been restored twice in the twentieth century and is now in Room 1 of the gallery’s collections. The artwork’s frame is original and it has vibrant colours, although how much of that is due to the restorations I’ll never know…..

  • Florence – There’s a Lot Here…..

    Richard has now arrived in Florence, ready to partake in some culture and history. I’ve already visited getting on for 15 museums and galleries and I think I have enough photos to ensure that I have something to write about for some considerable time….. But what a rather lovely city, history at every corner and it’s just about tolerable and comfortable in terms of how busy it is here and also the temperature. However, it’s February and I can only begin to imagine what it must be like during the summer months…

  • Florence – Uffizi Gallery (Madonna Pisa)

    Florence – Uffizi Gallery (Madonna Pisa)

    When I was in the National Gallery of Art in Bucharest last week I struggled on occasion to find out much about the artworks, either at the site or on-line. The Uffizi Gallery is the reverse, hundreds of their works have their own Wikipedia pages, research documents and endless commentaries about their heritage.

    This artwork was painted between 1250 and 1260, although some think it’s very slightly later, although it’s not known who the creator was, but it may have been Maestro della Sant’Agata. The painting is named after Luigi Pisa, who was a previous owner of the work, and whose heirs gave it to the Uffizi Gallery in 1933 and it has been on display since 1948.

    This was how the painting looked before 2015, in its unrestored state. Personally, as a non-art expert, I prefer this to how it looks now, it has heritage, authenticity and a sense of history to it. The current heavily restored painting is almost faultless, but I’m sure many like seeing how it might once have looked and it’s certainly now much cleaner.

    The Virgin Mary has long fingers and the gaze of Jesus and his mother deliberately don’t meet. The painting is in Room 1 of the Uffizi, a newly re-opened room which houses some of the oldest paintings which have mostly been recently restored.

  • Flights – London City Airport to Florence (British Airways)

    Flights – London City Airport to Florence (British Airways)

    This is the first time that I’ve flown from London City Airport, an accessible and easy to reach airport in east London with its own DLR stop. And I’ve liked the DLR ever since I lived next to one of the network’s stops a few years ago.

    One of the advantages of London City is that it’s relatively small and compact, so it’s possible to roll up around 45 minutes before a flight and still board in time. I can’t be taking those sort of chances though, but I didn’t go through security until two hours before my flight, which is cutting it very fine for me. The airport was comfortable and clean throughout, with an almost endless supply of power points and places to work from for those who needed that.

    There’s an extensive views of the airfield from the departures building.

    The walk to the aircraft went by the side of a building, with the nature of London City Airport meaning that there aren’t air bridges routinely used.

    Approaching the aircraft.

    I started off on an aisle seat on the seventh row, but there were some empty seats ahead, so a crew member said that I could move to a window seat on the fifth row. The aircraft was clean and comfortable, feeling slightly tired though, with this aircraft being G-LCYI which is an Embraer 170 which BA have owned since new in 2010.

    This flight left at 15:50, so there were some spectacular skies visible from the other side of the aircraft, they almost looked photoshopped in on this photo. But they’re not, I can’t use Photoshop….

    The CityFlyer service still comes with free food and drink, although I was unsure exactly what the choices were before boarding. They actually seemed to be generous, with Speedbird available which pleased me. I think there was Heineken as well, but the Brewdog/BA partnership that has led to Speedbird is IMO much better. And BA are releasing a new beer soon in partnership with Brewdog again, so hopefully this venture has been a useful one for both parties.

    The food was much better than I had expected, it was salmon on rice, along with a side salad, roll, cheese & crackers and a chocolate dessert. There was also a water thing served with it, although it was easy to get extra drinks from the bar from passing crew members.

    The crew were friendly throughout and their announcements, as well as those from the pilots, were professional and appropriate. The aircraft landed into Florence slightly early, with the whole process being seamless and well managed. It was a reminder of how BA used to be across their short-haul fleet though with the free food and drink, as it allowed an engagement between the crew and customers. Now, that engagement has been nearly entirely lost, and on most flights there’s nearly no connection between customers who don’t buy anything and the crew. It’s a shame, the crew are one of the best assets that BA have in my view, but I’m sure that Alex Cruz knows what he’s doing…..

    This, incidentally, is my 2,000th post on this blog. How lovely….