This church is the main Anglican church of the Catholic tradition in Norwich and the building dates to the eleventh century. It was perhaps constructed shortly after the building of Norwich Castle, which had forced some urban replanning.
The tower fell down in 1784, which wasn’t ideal, but a shortened version was added in 1877. The church had been through some troubled times before the tower fell down, being stripped of its icons in the sixteenth century and then not being looked after structually. They also flogged off the church bells to help pay for the repair of the building, which I suppose makes sense given they didn’t have a tower to put them in.
There are two different design styles, between the nave and the two aisles.
Until 1828, the church had a thatched roof, which must have made for quite a sight. The more modern roof is a little less exciting, but the building is now at least in a good state of repair. Those little windows on the roof were also added in the nineteenth century, I’m not sure I like them, it reminds me of a house conversion.
One of the few churches in Norwich which has replaced its railings, which were removed during the Second World War.
The font, which dates to the eighteenth century, primarily as the one before got a bit broken when the tower collapsed. The rather large font cover is more modern, designed by John Howard and installed here in 1929.
I bet this was the Victorians, so often careless with their placement of new church furniture. Although, interestingly, Father Ram, the controversial vicar in the late nineteenth century was determined to restore the building to how it looked in the medieval period, which included removing the George box pews.
This stained glass window is from 1910, painted by Martin Travers.
Looking towards the altar. I hadn’t expected to go in this church when I walked by a few years ago, hence why I only had my phone and that at the time didn’t exactly produce quality photos. I’ll go back after this virus is over to take better ones.
The rood beam with its three figures, introduced by Father Ram, with some opposition to his High Church reforms. Unfortunately, the historic rood screen was removed at the same time.